Saturday, 29 July 2017

Reading list, 29 July 2017

The Washington Post breaks down the Smithsonian's Kickstarter campaigns for conservation projects (given the costs involved it's probably important to see them as marketing projects as well as fundraising).

Artsy interviews Tom Campbell for their podcast in the week he leaves the Met.

Protests follow Dana Schutz from the Whitney Biennial to a solo show at the ICA Boston - via the New York Times and Hyperallergic.

Objectspace opened on Thursday, in a new space with a newly expanded mission: director Kim Paton was interviewed by the NZ Herald and Paperboy. (I so badly want a Paperboy for Wellington.)

A Canadian government panel debates whether a gift of 2000+ Annie Leibowitz photos warrants the requested $20m valuation for tax credit purposes.

So many interesting philosophical & museumy questions in this venture: Auschwitz Artifacts to Go on Tour, Very Carefully.

Saturday, 22 July 2017

Reading list, 22 July 2017

As part of my support for our showing of Fiona Clark's photographic series Te Iwi o Te Wāhi Kore at The Dowse, I have been reading the Waitangi Tribunal Motonui-Waitara report (1983). It still ashames me how unaware I have been of the history of the area I was raised in.

Marsha Lederman writes for the Canadian Mail and Globe about the return of Haida taonga from museums to communities. Read it and weep, Tiffany Jenkins.

An extract from K. Emma Ng's new book Old Asian, New Asian, from BWB Texts, on The Spin-Off. The book has developed from an essay Emma wrote for the Pantograph Punch in 2015.

More from the Barnes Foundation's collection online project - this time, curator Martha Lucy speculating on what new thinking may be derived from computer (mis)analysis of paintings.

I've only started to grok this myself: 'Not Just Money' from the Helicon Collaborative breaks down where philanthropic dollars are committed in support to cultural organisations.

An idea that's brilliant in its simplicity and catchiness - the Seed Vault releases a collection visualisation in the form of a colouring book.

I'm delighted Lana Lopesi is the new editor-in-chief of the Pantograph Punch.

Nobody wants you damn museum app.

Saturday, 1 July 2017

Reading list, 1 July 2017

Ben Eltham looks at the results of the Australia Council’s national arts participation survey for the Guardian, and it suggests a troubling fall in belief in the importance - even validity - of the arts.

Kyle Chayka's latest, on the international blandness of Tyler Brûlé and Monocle.

Alexandra Lange's latest, on Georgia O'Keeffe, Jane Jacobs, and the Marimekko dress.

Anthony Byrt's latest (it's really good) on Luke Willis Thompson's latest work, at Chisenhale Gallery

A few pieces from the architecture files: Will the renovation of Ottawa's Brutalist national art complex undermine its essential nature? Former Paris stock exchange to be reborn as François Pinault's new art museum. When one architecture firm undoes another architect's work: the Albright-Knox editionMumbai has the world’s second-largest collection of Art Deco buildings but no one notices them.

Your deep-inside-the-sector read: Chris Michaels, Museum business models in the digital economy (the accidental evolution' of museum business models; surge-pricing for exhibition tickets; Netflix for memberships; more pro-active asking for donations).

Your long read: Charlotte Higgins, How Nicholas Serota’s Tate changed Britain.